I like to read and I like to write. One is the engine of the other. When you’re writing fast, with dash, you just fling words down, and hope for the best. Lily Poole was a serial on ABCtales. Bang, bang, bang, around 2000 words a day. It wasn’t called Lily Poole then, I’d given it the working tag, ‘School Photos’. First-draft stuff. Let’s not call it a novel, but a collection of words pointing in a particular direction. There was no Lily Poole, but there was a little girl that fell down in the snow. She didn’t say much, in fact, didn’t say anything other than ‘big people don’t understand’. There’s a truth in that which is hard to pin down. And yeh, a little boy I once took to school when he kept slipping in the snow, did use those very words. Nowadays kids go to school in a flotilla of cars, and if you took a kid’s hand you didn’t know, well, it wouldn’t be the school bell, but alarm bells that would be ringing.
In later drafts of the story, I gave the little girl a name Lily. And in later, later drafts, I gave her a surname Poole. Her backstory plays a part in the plot. I like to be realistic, but it did seem farfetched. Then later when the novel has been published you read something that makes truth of fiction.
You read in Robert A. Douglas (2012, p115) ‘The Investigative Journalist and His Cause’ and the trial of William Stead, a cause celebrity, in Victorian London.
‘In order to facilitate a heightened sense of verisimilitude, he “bought” a thirteen-year-old girl [Eliza Armstrong] under the pseudonym, Lily for five pounds by negotiating with a former procuress, who, in turn, made the arrangements with the child’s mother…The midwife certifies her virginity, she is taken to a brothel, undressed, put in bed and chloroformed. She awakes to find a strange man in her room.’
A starved and working-class girl of thirteen of the Victorian era would not be prepubescent. Physically, she would be a child, a little girl. Lily does indeed live and breathe, her time has gone, but sometimes the past does haunt us in unexpected ways and at unexpected moments.