Darkest Hour, BBC 1, BBC iPlayer, Director Joe Wright, Writer Anthony McCarten.

https://www.bbc.co.uk/iplayer/episode/m000j4wd/darkest-hour

Gary Oldman won an Oscar for his portrayal of Winston Churchill. A snapshot of the leading Tory M.P.’s gilded life in May 1940. The phony-war stage at Blighty, where the British bulldog is the underdog. War had been declared and troops had been sent off to fight in France and Belguim, before falling back to Calais and Dunkirk.  German Panzer division and blitzkrieg tactics roll through Eastern and Western Europe. Churchill, finally gets what he most covets, the chance to lead the nation and become Prime Minster. Here it’s portrayed as a poison chalice.

Neville Chamberlaine (Ronald Pickup) after coming back waving a piece of paper, the Munich Peace Agreement with Hitler was no longer the man to lead a national coalition government with mainly Labour M.Ps. He’d also got cancer, which would shortly kill him. The Conservative Party, of which he is leader, all agree on the anybody but Churchill option. Viscount Halifax (Stephen Dillane) an old Etonian, friend of King George VI (Ben Mendelsohn) seems the right sort of chinless wonder needed to lead a divided nation. But Halifax isn’t keen, Britain is broken, a German victory inevitable, and he turns the job down. The King is also not keen on Churchill, who’d backed his brother Edward VIII as King, only for him to abdicate and marry an American divorcee. Prince Edward, Duke of Windsor apart from being notoriously mean, committing acts of fraud and treason can hardly be condemned for falling in love and acting like any other King.  Churchill’s many failings, including losing an army at Gallipoli were trotted out.  As was his boozing, if he didn’t have a glass of whisky in his hand, he had a glass of champagne, or some other alcoholic drink.

(This was a later advantage at Yalta when dealing with Stalin, who also did most of his work during the night hours and insisted on endless toasts. More than one British aide ended up unconscious with drink and had to be carried away, but Stalin and Churchill continued dividing up Europe while Franklin D. Roosevelt looked on, also with glass in hand, ready to cut a deal.)

Roosevelt plays a bit part on the phone. Stalin’s USSR is at that time was aligned with Germany and they were not yet our allies. Churchill in desperation for war supplies phones FDR, who promises the British Prime Minister, nothing much but grudging vocal support.   

Churchill was reminded that second to the King the Prime Minister’s office was the most powerful position in Britain. Hokum of The King’s Speech variety that by properly articulating some words on the radio, King George VI, who had a stammer, was able to deliver and rousing speech and save the nation.

Darkest Hour is the same film, but Churchill has no stammer, was in fact a former journalist that as Prime Minister employed six secretaries in sixteen hour shifts to take down his notes and ideas. Here we have one secretary, Elizabeth Layton (Lily James) always on call, day and night, in awe of Churchill’s brilliance, but also afraid of him. He even dictates to her when in the toilet, which lacks decorum. A tactic also used by former President of the United States, Lyndon B. Johnson, but in this case to manipulate and intimidate those below him. Let them know their place in the world. In Darkest Hour, it’s a bumbling, comic, note.

Somehow Churchill has to make his mind up and write a speech about ‘fighting them on the beaches, fighting them on the…’ and end with that bark of ‘Never, never surrender!’  But he’s been undermined by the snake-oil salesman Halifax, who wants to cut a deal with Hitler, through official channels with Mussolini’s Italian diplomats. With Chamberlain he has prepared the stab in the back and was waiting for the right moment. He could be in fact be playing Boris Johnson to Prime Minister David Cameron, pre-Brexit, offering his whole-hearted backing.  All around Churchill are enemies.

Then Churchill goes to the people, takes a subway ride. Foreshadowing, in an earlier scene he admitted to having never being on the subway. Stalin did the same thing on the Russian subways system build by slave labour. Crowded by curious onlookers wanting to shake his hand. On the London Tube, Churchill asks the honest commuters, what would you do if the German’s arrived.

‘Fight!’ says a woman.

‘Fight!’ says a man.

‘Fight,’ says a black man.

We know, of course, Churchill advocated that the Post Office and public bodies should not employ black people, but here he was having a chat with the young fellow, who tipped his hat to the British bulldog and said he too would, ‘Fight’.  He’d find it funny fighting on the streets of London (where people spat on him, told the nigger to go home and wouldn’t rent him a house).  A politically correct symbol of Britain’s glorious Commonwealth. 

The clincher was the little school girl. She wasn’t to be left out. She wanted to fight too.

 Vox populi, the people had spoken. Churchill got the answer he wanted to a question he was asking himself. What would you do?

I know what I’d do, I’d get rid of all war metaphors and sack all Tories from office, starting with the charlatan-in-chief, little Trump, and biographer of Churchill, leader of the war cabinet against the Covid-19 virus, Boris Johnson.

 Vox populi, the people has spoken. ‘Stay Alert’. The people of Scotland have spoken.  I wish politics and life was that simple.

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