Twenty-one years ago, today, Davie McCallum went away?

To mark the 21st Anniversary, Re-blog of earlier post.

When Davie McCallum, aged 31, went missing on 28th March 2003, his son David (junior) was aged five and about to start school. Now he’ll be twenty-four or twenty-five, he’ll be approaching the same age when his dad started a family. His wee brother, Robbie, was a one-year-old baby. Now he’ll have left Clydebank High School, the same school as his dad and older brother. The mother of his sons, Margaret McDowell, waiting for Davie to come home, but older and wiser, she’ll know that nothing is ever certain.

Davie McCallum featured in the fourth series of BBC’s Missing programme in 2007. A handful of Missing-Person case investigated by Police Scotland, part of the over 30 000 cases a year and 210 000 in the United Kingdom that the case is left open. They don’t come home. Snapshot and Helpline number below a picture and basic description:

 ‘ 5ft 6in, medium build with short dark brown hair and blue eyes. He has a smiley-face tattoo on his upper right arm’.

I remembered him as being bigger than that. His wee brother Alisdair always seemed to be trailing after him, but we never called him Alisdair. It was Ba-Ba. Their hair and square heads made them look as if they wore crash helmets, which nobody did, even when kicking off a skateboard. While Ba-Ba seemed to have a permanent scowl, Davie did have a smiley face, a smirk, extending his long jaw, as if he found the world funny. I wasn’t sure if the tattoo was Indian ink, but I suspect it was. 

My partner Mary knew them better. Robert, Mary’s eldest son, had used Indian ink to tattoo ‘Rab’ on his arm. Or at least somebody else had. Davie would be a prime suspect. He’d a few years on Rab, but Mary’s youngest Alan used to trail after him too, and he was much the same age as Ba-Ba. Davie was the leader and they were sure to follow. Mary would sometimes pay Davie to ‘babysit’ when she went to the pub. They’d an older sister, Susan, but we never saw her.

Davie’s mum, Seonaid, would often be in the pub before Mary. One night I watched Clank chatting Davie’s mum up in Macs, both of them pissed enough to make perfect sense.  

It seemed like a drunk guy who randomly threw numbers at it designed the Council houses in Glendevon, and the postman would get lost unless they knew the route. Nobody much had a front garden, but everyone had a tiny back garden. When their mum, Seonaid, moved in a Daily Record cost 3d. The houses were newly built, and you needed to be top of the housing list.

That was where the boys camped in late summer nights, with torches and telling ghost stories that frightened no one but Alan, before sneaking home. Stealing Daily Records, 12p a copy, and rolls from the shops, lifting milk from front doorsteps to wash down breakfast. Down the steps and near the tunnel under the canal, playing chicken with trains in the dead-man-hole in the side of the wall, arched where it met the railway track. Swimming in the murky canal on long, hot summers. Climbing up, and a leg falling through the asbestos roofs on top of the old factories looking on to the deep waters of the Clyde. There were a thousand ways to kill yourself.

Rab and Davie went fast and slow. They were smokers and drinker before they left Clydebank High School, or that might have been Dalmuir Primary School, away from adult, prying eyes? Alan and Ba-Ba, despite being younger, were sometimes more mature. I think Davie had a shot at joining the army with his mate Richie Smiley. If they were drunk it was because they’d cashed their Giro, and if they weren’t drunk enough, maybe you could give them a loan of a pound, or a pint? The Armed Forces was one of the few recognised ways of getting up and getting on. Richie stayed in the army, which surprised lots of people, including me.

Davie had other commitments. He’d a younger girlfriend, Margaret McDowell, and he’d a house and two kids and a relatively well-paid job in Compact. Then he didn’t have a job. He told his partner he was going out for a drink. He never returned.

When Rab went missing, seven years later, we were used to it. I treated it as a holiday away from the constant hassle and bickering with him losing his phone, his house keys, his money, his common-sense. ‘He’ll be holed up in some drinking den,’ I told his mum.

‘I have let you doon again,’ Davie told his partner Margaret that morning when she phoned him.

‘I love you and I’ll be home soon,’ he told her the following day. And that he was down at Loch Lomond.

His car, a black Ford Focus, was later found in the Rowardennan district. Campers on the loch-side reported to the police that they’d seen him a few days later.

Somebody reported seeing Davie in the West End of Glasgow in 2006.

Police tried matching his body up with one found in a reservoir.

Davie McCallum, nobody much thinks about him now, apart from those closest to him. They’re still waiting, still looking, and still listening. His mum’s gone. Rab’s gone too. Davie McCallum where are you?  

Memories of Murder (2003), Channel 4, Film 4,  Director Bong Joon-ho, Screenplay by Bong Joon-ho, Shim Sung-bo.

https://www.channel4.com/programmes/memories-of-murder/on-demand/73142-001

https://en.wikipedia.org/wiki/Memories_of_Murder

Most of my writing is in Scottish Noir. In other words, if you’re waiting for a happy ending, watch The Waltons. Memories of Murder is South Korean Noir, directed and written by Bong Joon-ho. Largely based on investigation into the unsolved rapes and murders of young women that took place in Hwaseong in the late 1980s.

In October 1986, a woman’s body is found under a drain next to a field in the opening scenes. Song Kang-ho as Park Doo-man, the lead detective in the rural province, notes that her hands are bound and her panties have gagged her. Another body similarly gagged, raped, and murdered is in the field nearby. He’s no expert. But even he notes how slipshod and haphazard forensics are in documenting and decoding the murders.

 Park Doo-man experience has been with petty crimes and criminals. His success rate so far he claims is down to his ability to look someone in the eye and know if they’re innocent or guilty. He and his partner have developed a good cop and bad cop routine in dealing with such crimes and criminals. Kim Roi-ha as Cho Yong-koo, Park’s partner comes late to the interview room and starts beating a submission of guilt out of the perpetrator.

When Jeon Mi-seon as Kwok Seol-yung, Park Doo-man’s girlfriend and then wife gives Park Doo-man a tipoff that a scarred, mentally-handicapped boy, Baek Kwang-ho, used to follow the victim around town because she was so pretty, the lead detective arrests him and they have their killer. After serving him noodles and then beating him up, Baek Kwang-ho agrees that he is the killer and he signs a confession.

Seo Tae-yoon, a detective from Seoul with more professional training in crime scene analysis, has been brought in to assist them. While the local detectives are celebrating and open-and-shut case and how they intend it to stay closed, Seo Tae-yoon points out the obvious difficulty of a lad with webbed fingers being unable to tie complex knots that bound the victims. He suggests they release him and not make a fool of themselves. But it’s too much to ask of our incompetent heroes.

Seo Tae-yoon proves correct, of course. He also makes another grim prediction. There’s another body out there they’ve yet to find. The rapist-murderer strikes on rainy nights, which has already happened. And he targets young women wearing red. A siren song played on the local radio station also signalled the disappearance of the young woman.

It’s cops against the killer and a race against time. And when they inadvertently, together and apart, stakeout the gypsum mine where much of the activity is located, they spot a man masturbating and give chase.

Nothing as simple as beating a confession out of a suspect works as well as it did in the good old days. Well worth watching.  

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Scotland 0—1 Northern Ireland.

Northern Ireland’s first win at Hampden for fifty years, with a Connor Bradley goal after 32 minutes. Scotland loses seven-a-row for the first time since…the last time…Scotland fans boo Rule Britannia and the British National Anthem. Pick your own headline. Who really gives a shit?

I know there are Scotland diehards. I’m not one of their crew. (I’m a Celtic diehard; booing Rule Britannia is second nature). And this game panned out much like a Celtic game in which we lost to a diddy team and were expected to win. We know that the home team are going to get much of the ball. The home team, in this case being Scotland.

We know that the away team, in this case Northern Ireland will play with eleven men behind the ball, with a nominal striker not striking much.

We’ll here the usual clichés about we need to move the ball quicker. We need to have runners. Our wingers need to find space. The problem here is we don’t have wingers, although we do have guys that push wide.

Our defenders need to defend. There is a good reason Nathan Patterson doesn’t get a game for Everton. He sold a goal here and was lucky not to sell another when he was robbed on the half-way line. Shea Charles didn’t have to do very much inside the box, but move his feet to hold off Cooper and pick his spot. He put it past the post. Scotland rode their luck. Andy Robertson goes off injured again.

We’ll hear all the usual bilge about Northern Ireland defending stoutly. All the cliché that have already been spoken will be repeated in a more sonorous voice as if they are new. Let me put this into context. Northern Ireland brought on a Queens Park player after 80 odds minutes. In other words, they bring on a footballer who is an amateur.  

Scotland bring on guys that have done it before at this level, only they haven’t. Lewis Ferguson, captain on Bologna, for example, made a real difference. He didn’t. He throws himself about and lacks guile. I wouldn’t want him at Celtic. He does have a few chance which he fluffs.

Lawrence Shankland comes on and has two chances. He got his shot away, in a crowed box, and it was blocked by Spencer.  

Ferguson has a header tipped over by Farrell-Peacock. You’d expect him to make such a save.

Farrell-Peacock comes out and makes an untimely mess of things. It was on par with Nathan Patterson’s embarrassing moment in the first-half. But the Northern Irish teenagers still had a bit to do and got luck with a nick from a defender. Farrell-Peacock comes out for a cross and flaps. He’s nowhere near the ball. The Hearts’ striker and top scorer in Scottish football only needs to nod it in. He misses.

These things happen. It’s been happening a lot lately. I’m not sure about Gunn in goal. At best bang average. I just hope Celtic don’t try to sign him as another deadweight, as we’ve been extremely guilt of late. Jack Butland, of course, would be ideal, but he’s English and Rangers players now rarely make the Scotland squad. Nathan Patterson is terrible. Ralston, his backup, worse. We don’t have any decent central defenders. Left back, we’re pretty well covered. Midfield, decent enough. Nothing up top.

Can we beat Germany at home in the opening game of the Euros? Nah. But all the pressure is off and we’ve nothing to lose. A bit like Northern Ireland tonight. This game will be forgotten before the ink on the latest scandal emerges.  

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Graham Swift (2020) Here We Are.

Here We Are or Here We Are again. Graham Swift won the Booker Prize for (I think) Last Orders. I checked to see if I’d reviewed it. I haven’t. But I have read it. But what sticks in my mind is the film version. Michael Caine, Bob Hoskins and Helen Mirren as the wife of the Caine character. Why am I going on about this? Well, Here We Are has much the same plot and tagline.

Brighton, 1959. Punters are sick of war and rationing. They demand entertainment. Jack Robinson although 27 is a veteran of the end-of-pier show. He’s compere, a kind of bygone Bob Monkhouse that can do pretty much anything from croon to tell jokes to keep the audience lapping it up and demanding more. He’s the star boy and star buy, the audience love him. He hooks up with some girl from the chorus line to entertain himself from year to year until the season ends.

But this year it’s different. He’s brought in fresh blood to the show. An army mate (in the way Caine and Hoskins were) who forged a bond over paperwork, which was the Army’s way of playing a joke on their theatrical ambitions. He tells Ronnie to get a stage name (Pablo) and to get himself an assistant that will dazzle.

Evie is top of the bill in anybody’s language (as Pablo is a magician, it had me thinking not of Helen Mirren, who’s obviously gorgeous, but Paul Daniels’s wife). All eyes are on Evie, including Jack’s. This allows Pablo to work his magic. And it really is magic. Nobody can really explain how good he is. Punters that come to watch the show only want one thing, to see Pablo and Evie. Jack has to joke and horse around to keep his end of the show up. What makes it more magical or believable, Pablo and Evie are engaged. She wears his ring. Many of us will know how that’ll end, but it’s a trick of the write. Read on.   

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Netherland 4—0 Scotland.

Around 2500 Scottish fans saw a first-half in which Scotland dominated, had the best chances, yet were a goal down after 40 minutes from a Reindjers’ wonder-strike from outside the box. The Dutch’s first shot on goal.

 The big surprise—that wasn’t really much of a surprise—from Steve Clarke was to start with Hearts forward Lawrence Shankland up front. His moment came Scotland had been pushing up on the Dutch backline all night. They’d some joy. Ryan Christie was unlucky to score twice. John McGinn found some space and flashed a shot past the post.

Cometh the hour, cometh the man. Matts Wiffer faffed it under pressure from McTominay. Shankland had a run on goal from the edge of the box. Flekken  did what keepers do, he advanced of his goal line to narrow the angles. The top scoring goal scorer in Scotland did what good strikers do, he’d got his shot away. It struck the bar and went over.

The Dutch made a number of changes to their team. Shankland too came off.  Wijnaldum found enough space between Jack Hendry and John Souttar to nod beyond Gunn.

Weghorst, unmarked, headed in another from a corner.

Malen weaved his way past a few mistimed tackles, toe-poked the fourth. The speed and agility of substitute Malen made the last few minutes even longer. It could have been five, six or seven as the backline capitulated.

Holland hammered Scotland, without even trying. Scotland manager Steve Clarke has a lot of reasons to think our national team unlucky. When we face the Germans in the first game of the Euros, this will be much the same team. Obviously, Callum McGregor will start (and I’m delighted with the break to get him fit for the Old Firm clash) but I fear the worst.

Our midfield is good. We more than matched the Dutch here. But our defence is second rate. Jack Henry who Celtic shipped off is central. Porteaus is not a national player. At no other time in Scotland’s inglorious past would he have got near the squad.  Our two full backs might well be good enough. But when Clarke brings on Ralston, you know the game is up. We don’t have a goalscorer. And when we do have a goalscorer on the pitch he misses a chance he’d score for Hearts nine out of ten, then small margins begin to crumble and we’re left with large gaps. We need lots of luck, luck, luck. Our goalkeepers need to play a stormer when we play the big teams. Our strikers need to score goals. Our midfield need to keep creating chances. But our defence is indefensible. Against the better teams we’ll always get found out. We can’t magic up players of the required standard. We’re a small nation and we’re not Croatia. We have no world-class players. Scotland haven’t won in six games. But they’ve played the bigger and better teams. We’ll see how it goes against Northern Ireland on Tuesday, surely a home win?

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Muriel Spark (1992 [2009]) Curriculum Vitae.

If you’re like me, you’ll associate Muriel Spark with The Prime of Miss Jean Brodie. I don’t think I’ve read the book. I’ve seen two television versions. Miss Jean Brodie really is a gift to any actress with our Dames playing the lead roles. Muriel Spark reminds us teachers in the James Gillespie’s Girls’ School in 1930s Edinburgh were also actors that had to instruct their audience: ‘the creme de la creme’. Not just by teaching, but charismatically added that certain something that fuelled youthful imagination. Miss Jean Brodie, or real life Miss Christina Kay, did just that. The irony here was the fascist leaning, Mussolini loving, Miss Brodie, who worshipped at the altar of the leader who made the trains run on time, would have seen Muriel Spark whipped off to the death camps. Muriel Spark (nee) Muriel Camberg, her brother Philip and her father, Bernard, were Jewish. Many people who denounced others were spared, so if her mother, a woman who was Christian enough, had done the same, she might have been spared such malign fictions (which have become reborn).

Muriel Spark made that long journey to becoming a Roman Catholic. This is in the last third of the book. By this time, the award-winning poet had married a man who was unhinged, jealous and insane. Moved to Southern Rhodesia. An apartheid regime based on the South African model. She tells the story of a man who shot and killed a ‘pickaninny’ boy because he’d looked at his wife breastfeeding. And of a settler, who killed a black cyclist, drove over him, because he wouldn’t give way on the narrow strip of tarmac. Among the group of white wives, this was considered acceptable behaviour in polite society. No surprise that Hitler admired the British Empire’s ability to subjugate such a large group with so few men. She contacted blood poisoning and with no penicillin, it was touch and go whether she’d live. Her husband’s insanity meant she knew she’d have to get home with her son, even though there was a war on.

She settled her son in Edinburgh and went to work in London for MI6. They helped fabricate false accounts of the German war effort. Her middle-class background meant that she found accommodating, but she was also writing poetry and got jobs with some literary magazines.

It gets boring here. A settling of accounts of who said what, which for the general reader (me) is time wasted. We know, of course, Muriel Spark would become a literary giant. She won an Observer short-story writing competition. That gave her access to publishers and commissions for books as yet unwritten and articles published in literary magazines.

Her debut novel was largely, write-what-you know, based on her experience of taking Dexedrine (amphetamines) which kept her appetite down. During 1951-52 rationing was still in place. Skipped meals the norm for many mothers so their children could benefit.  

‘I didn’t feel like a novelist,’ she wrote. The Comforters, published in 1957 was also based on her hallucinatory experiences. She compares it to the dialogue Job had in The Book of Job with his Comforters.

By coincidence, Evelyn Waugh also wrote a book the same year about his reaction to different pills which mirrored Spark’s. His endorsement helped legitimise her book. And more important, by association, it got reviews in the right kind of papers. Spark’s trajectory was upwards. But she admitted often debut novels (a testing ground for publishers) were often followed by literary flops. Not in her case, of course. She had plans to write a second part of her biography, which would cover her more successful years. I’m not sure if she wrote it. I’ll give it a miss. Read on.   

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Frank Warren (2005) PostSecret

PostSecret is a collection of anonymous postcards people sent to Frank Warren, who in 2004 printed 3000 postcards with his address on them, inviting strangers to fill them in and tell him them their secrets. The response was so great, he didn’t have to print any more postcards. People sent their own, in various languages, including Braille.

‘Like fingerprints, no two secrets are identical.’

Reading is a kind of voyeurism. We always want to know more. PostSecret as a hardback coffee-table book is an overindulgence. Loneliness, sex and violence feature as does the more banal, such as ‘I’ve always wanted to rob a bank.’

‘I love to pee when I’m swimming.’

‘I gave my vegetarian sister a meal with beef.’

‘I’m jealous of her baby…’  

‘I know you don’t really like me (please stop pretending).’

I can’t pretend I’m overly impressed with this book. I’m more impressed with the idea. We’re all human. Wish that would catch on. Read on.

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Celtic 3—1 St Johnstone

Pre-match, We’d Never Work Alone was song by different-abled kids in sign language. Celtic in any language is our team. We’ve stuttered. Looked off the pace. Not today. Kyogo Furuhashi, Nicolas Kuhn and James Forrest scored, but there was something extraordinary that we were only three goal to the good.

Joe Hart was angry when Connor Smith netted Saints’ consolation goal. Substitute Stevie May heading across goal, Hart making the save and Smith netting the rebound, in which was the away team’s only effort on goal.

There was still time added on for an Idah effort to be saved. Alistair Johnston to have a goal disallowed, even though he was onside and for Iwatta to miss a sitter, heading over by two yards.

 Brendan Rodgers made two changes to the team that won against Livingston. Carter-Vickers comes in and so does Kyogo. Both improve the team. The difference was this was Kyogo of old. He could have hit four or five. He’d two goals disallowed for offside. Scored with a fabulous header with a dinked pass from Kuhn (also checked for offside). And set up the goal the effectively finished the game, with a minute gone in the second half, playing a ball across the goal for Kuhn to tap in.

We await the return of Hatate and McGregor then we’ll be back to full strength. Idah drops to the bench, because, quite simply, he looked like a Norwich reserve last weekend.

First twenty minutes, as we expected, total possession. Kuhn half-chance the only threat. Craig Levein is predictable. His sides sit in. Open and expansive isn’t going to happen. Sidibeh lands a quick long ball forward and took on Carter-Vickers. One-on-one. That’s what St Johnnstone were playing for. But there was only one winner. We were far enough ahead after seventy minutes to rest the American. Odin Holm coming on for him.

But it was the new-old boy, James Forrest that made the difference. O’Riley hunted down the ball in the last third. His ball across the box played in Forrest. He took his time and picked the corner of the net. He almost made it a double in the last few minutes. His shot blocked. 

O’Riley, like his midfield partners, looked back to his best. He’d a late free kick tipped onto the bar.

Kyogo earlier had also lashed a shot off the bar. He’d an early one on one saved. In retrospect he should have played in Maeda for a tap in. He chested in one and scored another both offside. His run in behind from Greg Taylor’s pass was something he did all afternoon. The difference today was his teammates found him.  

A chance missed as the ball bobbled about the box. Bernardo had a chance cleared from a first-half corner. Iwata had a shot cleared off the line. Kyogo just off target as he chips one over Mitov but also the bar.

Celtic denied what looked like a stone-wall penalty after thirty minutes. Matt O’Riley whipped in lots of corners and we looked like scoring from most of them. Carter-Vickers had a shot on goal from ten yards, which was blocked. Maeda (as usual) got to it and whipped in the rebound. As expected, lots of players were on the goal-line and in the six-yard box. Kucheriavyi kept the ball out of the next with his hand. I don’t care if it’s natural of unnatural. If his hand isn’t there, it’s a goal. If his hand is there, it’s a penalty. No penalty.

Great to see Kyogo hitting top gear again. Maeda did what he does every week. Kuhn got man of the match. I’d written him off as a dud. I wanted to be wrong. Maybe Lagerbielke will also prove me wrong. The international break gives us breathing space to get our top men fit for Livingston and then Ibrox. If we can win those games—and I’m sure we can—then we should win the league. Today was high-tempo football was some great cameos. It was like old times. Disappointing to lose that goal and not score more. For those of us that remember Helicopter Sunday, we know goals for and against can decide who wins the league. We always need a wee bit of luck.  

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Sebastian Barry (2009) The Secret Scripture.

You should never step into the book you’ve read before (or something like that). Sebastian Barry is a terrific writer. This book won the Costa Book of the Year 2008. The Secret Scripture is in many ways the story of Ireland after the Famine, with a centurion Roseanne McNulty providing the handwritten shape of her life played out against the Civil War years in Ireland and the world wars that also came to Sligo.

Beginnings: Roseanne’s Testimony of Herself (Patient, Roscommon Regional Mental Hospital 1957—)

Roseanne’s testimony of herself is a narrative story of her girlhood and young adult life before she was incarcerated in Sligo’s Lunatic Asylum. The question of why she is there is implicit in her writing. But there is another narrative interbody with it. This comes from the psychiatrist who oversees her care, Dr Grene. The old hospital is closing. He is nearing retirement. In trying to decide about where Rosanne should go, the rights and wrongs of what has been done to her, he also has to map out the shape of his faltering marriage and what to do with his own life. One lies on and relies on the other. Judgement is dependent on knowing what you know and what you don’t know.

‘…it wasn’t so much whether she’d written the truth about herself or told the truth, or believed what she wrote or said was true, or even whether they were true things in themselves. The important thing seemed to me that the person who wrote and spoke was admirable, living and complete…from a psychiatric point of view I had totally failed to ‘help’ her to, to prise open the locked lids of the past…I preferred Roseann’s untruth to Fr Gaunt’s truth, because the former radiated health.’

Father Gaunt haunts Roseanne’s life as priests haunted Ireland. Roseanne was immediately suspect for being female. For priests such as Father Gaunt, even the Virgin Mary would have been suspect unless the Lord Jesus vouched for her. Roseanne was also suspect because she was extraordinarily beautiful. The kind of beauty that led men to temptation. Father Gaunt’s solution to marry a sixteen-year-old girl to a widower three times her age, had the merit of taking her out of circulation. And since she was Protestant destined for Hell, making her a follower not only of her husband, but the one true church and saving her soul.

Roseanne proved to be not as pliable material as Father Gaunt hoped. Her extraordinary story is not of failure, but of high spirits. A different kind of beauty. I can never remember what I wrote the last time, so I’ll reiterate it here, the ending was too chocolate-book for my liking. But this is a great story. Well worth the reading or re-reading. Read on.

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