Jordan Belfort (2008) The Wolf of Wall Street.

Jordan Belfort (2008) The Wolf of Wall Street.

As a reader it sticks in my craw that sometimes the film is better than the book (e.g. One Flew Over the Cuckoo’s Nest, Ben Hur and Spartacus are examples of the former) but here I think it’s a honourable draw. If you want to save several hours of your life, and don’t fancy reading over 500 pages, watch the film and save several hours of your life. Leonardo DiCaprio is great as the twenty-odd-year old Jordan Belfort beginning his meteoric rise by starting a brokerage firm in 1993, Stratton Oakmont. It ends as a morality play after eight years, as all good books do, with the narrator aged thirty-four, older and wiser. Belfort no longer having a starring part in a show he likes and frequently reference, Lifestyles of the Rich and Dysfunctional—he’s arrested by the FBI, having blown millions of dollars, lots of it up his nose.

The subtext on the front page is a lead line to his gargantuan drug addiction, throw in a bit of alcoholism and a penchant for sex with hookers at every opportunity, call it sex addiction and sometimes even having sex with his supermodel wife and their you’ve got it. Jordan Belfort’s story told in a convincing fuck-you voice.

This is what happened he’s saying. My rise and fall—and while it lasted it was a blast.

John Lanchester in How to Speak Money, A Lexicon of Money has an entry ‘bullshit versus nonsense’.   

Belfort puts words in his character’s mouth. They agree that he was the smartest man they’d ever met. Smartest-man-in-the-room syndrome. And Trump, the moron’s moron, does get a walk on part, but only as a figure of fun. A reality host with wigwam hair.   And the young broker, a child prodigy with numbers, wasn’t going to disagree. Belfort quickly figured Wall Street was 99% bullshit and 1% nonsense. A giant confidence trick.  His target wasn’t the common man, but those with money, the five-percent of Americans that were rich or superrich and liked to think they were smarter than everybody else. He realized if he could get past their secretaries and those guardians of conservatism they were reckless gamblers. The would-be broker could coach a monkey into selling them stock in new and upcoming companies. Belfort fixed the market so it was win-win for him and his cronies at Stratton Oakmont and you have the legend, he was like Robin Hood stealing from the rich and giving the spoils to him and his merry men (and women) and fuck the poor. Poor being here, someone down to their last $250 000.

There was no Warren Buffet starting Berkshire Hathaway with a $10 000 investment and through prudent investment and year-on-year profits creating a $50 million portfolio and making tens of millions hand over fist from a John Major, Conservative, government then in power. Belfort was making the same kind of money by training his cohort to shout down the phone and not to take no for an answer. Die or sell. Michael Lewis describes it in the preface to Liar’s Poker as a historical trend ‘a modern gold rush, never has so many unskilled twenty-four-year olds made so much money in so little time as we made in New York and London’.  

Belfort establishes what he terms ‘The Life’ was like very early when he spends over $500 000 of credit card on hookers ($5000 a pop) drugs and booze and marks it down as entertainment, a write-down for tax. His second in command Danny Porush and his first trainee, who has almost the same level of drug intake, with drug of choice Quaaludes and throw in suitcases of cocaine and crystal. In the opening exchanges Porush, after swallowing a live goldfish, is trying to convince his boss it would be a blast to have a party and throw dwarves and watch the little people land on their head in a big dartboard thing, probably without the dartboard.  Belfort wasn’t sure that’d be a good idea, but he wasn’t totally against it. A sticking point was liability and insurance.

Here we are December 13, 1993:

‘The next morning—or if you want to get technical about it, a few hours later I was having an awesome dream. It was the sort of dream every young man hopes and prays for, so I decided to go with it. I’m alone in bed, when Venice the hooker comes to me. She kneels down at the edge of my sumptuous king-size bed, hovering just out of reach, a perfect little vision. I can see her clearly now…the lusty mane and chestnut brown hair…the fine features of her face…those young juicy jugs, those incredible loamy loins, glistening with greed and desire.’

‘Loamy loins’ pop up a lot, usually in relation to The Duchess, his second wife. Other characters in his story such as the Depraved Chinaman, Steve Madden the shoe millionaire and Elliot Lavigne, the World Class Degenerate tend to be affixed qualifying labels. While trying to do a bit of money laundering in Switzerland, ($20 million, starting with small tranches of a few million) for example, the banker and master forger both smoke and at some point inhale and don’t exhale. Mixed metaphors and mixed stereotypes make clunky prose. Similarly, his second wife’s Aunt Patricia in London sounds like something out of Mary Poppins. And Belfort makes the generalization the working classes in Britain worship the royal family and can see no wrong in those royal charlatans in horsey- mediocrity-land. Perhaps Belfort isn’t as smart as he figures. I’ve got one word for that, deluded. Or perhaps I’m just deluded?

But the autobiography isn’t about us, the working class; it’s about him and his cronies. What it shows quite convincingly is the rich can break the law and suffer no consequence. This was before the moron’s moron got elected President for doing many of the same things Belfort done. But hey, at least one of them got prison time and I’m sorry it was the latter and not the former. Belfort writes a rip-snorting book. It’s entertaining and I enjoyed reading it. You can’t say any fairer than that.  I’m glad Belfort is rehabilitated and doing the right thing. As for the other charlatan…

Mohsin Hamid (2007) The Reluctant Fundamentalist

https://www.bbc.co.uk/programmes/b0144ybj

reluctant fundamentalist.jpg

I watched The Reluctant Fundamentalist on BBC 2 recently.  Mohsin Hamid was screenwriter and author, and the role of the narrator in the book Change[z] is much the same, but the plotting is slightly different. In particular, Changez’s exotic girlfriend, Erica,  in the book is given a backstory.  Changez, in his doomed love affair,  mirrors her doomed love affair. It’s a short novel. Very few films are better than the book. Ben Hur is an example. This is another.  Here is a reluctant poetry offering reviewing both.

Collateral Damage. 

Sir, you need to be careful here

Corporate collegiality offers a veneer

Deep down we eat our young

Our concern is not to be your friend

And to make you pay

No matter what you say

Foreignness is not a choice

Lucid but without voice

A worldview that is unfair

Mirrors a society that doesn’t care

Time doesn’t diminish identity

Meaning relies on natural empathy

Collateral damage

 

Filth, Film4, 10.40pm (Jon S Baird 2013)

I didn’t watch this film all the way through. I got to the bit where Detective Sergeant, Bruce Robertson, (James McAvoy) of Lothian Police force looks in the mirror and sees the image of a pig.  Pig, filth, black comedy. Gettit? I turned the telly over and watched the end of the Liverpool game. That was exciting. The truth is I don’t know what truth is. But I don’t really need to see the end of the film to know what happens. Writers have a tendency to write the same thing over and over and over again. Some of them get rather good at it. They win prizes, they win awards, they become rich. Irvine Welsh is I guess a rich man (compared to me most men are rich, those that aren’t tend to shop at the foodbank). This film had four different blocks of producers flashing up on screen flinging money at the same old, same old shite.

Let’s go back to Trainspotting. ‘The sweat was lashing oafay Sick Boy; he was trembling…Ah tried to keep ma attention oan the Jean-Claude Van Damme video.’

Drug taking [tick]

Violence [tick]

Sex [tick]

Black comedy, what the fuck does that mean, yah stupid radge cunt? Just fuck off out of my face [visage] or I’ll stick the heid on yeh.

There was something gallus about Trainspotting. Irvine Welsh knows his music and he knows his drugs and he knows he’s slightly dyslexic and he knows he’ll not get published because nobody publishes shite in the common argot of arsehole from the lowest place on the planet, a junkies arse.

So Mark Renton/Rentboy has got his hit, but it’s not injectable form he’d hoped, but an opium suppsitory. Anyone that had seen the film knows what happens to Ewan MacGregor next. ‘Ah whip oaf my keks and sit on the wet porcelain shunky. An empty my guts, feeling as if everything; bowel, stomach, intestines, spleen, liver, kidneys, heart, lungs and fucking brains are aw falling through my arsehole intae the bowl.’

It’s not often that the film is better than the book. Ben Hur is an epic example of that. I’d guess Trainspotting the film is better because Irvine Welsh wasn’t the screenwriter. In Filth, there’s a little in-joke the Chief Inspector doesn’t do any police work because he’s too busy in his office writing screen plays. Gettit? Shite.

Trainspotting was a phenomena and cash cow.  Ewan McGregor got to fucking play with lightsabers in Star Wars and the force was with him and to a lesser extent Robbie Carlyle is Begbie and Kelly McDonald is Kelly McDonald. Peter Mullan was a bit part player in the film but no plastic bronze medal, Hollywood for him too. Closer to home Spud, Ewen Bremmer, got to play a cop in Line of Duty. Gail, Shirley Henderson, seems to be in every Irvine Welsh production since then. In Filth, she’s not so much an object of lust, but an object of dirty phone calls from Detective Sergeant Robinson that has been called into to deal with the dirty phone calls, and dear old Shirley Henderson, who plays the same slightly deranged character in each play/film/movie is called to revel in the lust and take the sting out of it by rolling in the dirty with the dirty cunt that’s phoning her and thereby unmanning the man. Gettit. Shite. I’ve not mentioned Sick Boy yet, Jonny Lee Miller. Sick Boy in Trainspotting ‘It seemed, for women, that fucking was just something you did wi Sick Boy, like talking of drinking tea wi other punters’. Sick Boy was played by Jonny Lee Miller. And as we all know his cast off, and former spouse was Angelina Jolie. What a brilliant piece of casting by Danny Boyle. But it was Trainspotting rather than the critically acclaimed Shallow Grave that made his reputation.

Now we’re getting a Trainspotting 2. Shite. Back to Filth. No, I’ll not bother. You watch it if you want. But if you’ve seen one, you’ve seen them all.